The 'Passion' comprises the very last week of Jesus' life on Earth. It began on Palm Sunday and concluded on the morning of Easter Sunday.
The Last Controversies and Discourses, The Sadducees and the Resurrection, The Scribe and the Great Commandement, Question to the Pharisees about David's Son and Lord Final Warning to the People: The Eight 'Woes', Farewell.
The Last Series of Parables: To the Pharisees and to the People, On the Way of Jerusalem: The Parable of the Labourers in the Vineyard, In the Temple: The Parable of the 'No' and 'Yes' of the Two Sons, The Parable of the Evil Husbandmen Evilly Destroyed, The Parable of the Marriage of the King's Son and of the Wedding Garment.
Last Parables: To the Disciples concerning the Last Things, The Parable of the Ten Virgins, The Parable of the Talents, Supplementary Parable of the Minas and the King's Reckoning with His Servants and His Rebellious Citizens
The Paschal Supper, The Institution of the Lord' Supper
The Last Discourse of Christ, The Prayer of Consecration
Thursday Night, Before Annas and Caiaphs, Peter and Jesus
'On the Third Day He rose again from the Dead; He ascend into Heaven'
Based on events relating to the trial, crucifixion, and resurrection of Jesus Christ, the passion play enacts the central drama of the Christian faith. The episodes of the passion play are performed at a series of shrines, or "mansions," one for each episode. Mansions are arranged in various ways, most often so that both performers and audience can move to each in turn.
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E. T. Kirby
Blackburn, Henry, Art in the Mountains: Story of the Passion Play (1870; repr. 1978); Edwards, Robert, The Montecassino Passion and the Poetics of Medieval Drama (1977); Sticca, Sandro, The Latin Passion Play: Its Origins and Development (1970); West, Larry E., The Saint Gall Passion Play (1976).
The events of the Passion are among the most frequent subjects of religious art. They are popular because the sacrifice of the Crucifixion is central to Christian belief and because Holy Week, during which the events of the Passion occur, marks the culmination of the liturgical year.
Some scenes from the Passion appeared in Christian art as early as the 4th century. These subjects became especially common, however, in the late Middle Ages and at the beginning of the Renaissance, probably because depictions of Christ's suffering were in keeping with the heightened religious emotion that followed the Black Death and the Hundred Years' War. Also during this period the Pieta was introduced and developed. Although without biblical authority, this scene became part of the Passion cycle.
The wide appeal of the Passion cycle is clearly shown by the prints of Albrecht Durer. Durer executed woodcut series known as the Small Passion (1509-11) and the Large Passion (1510-11) as well as another sequence called the Engraved Passion (1507-13). The scenes included in these cycles differ considerably, as they contain, respectively, 11 woodcuts and a title page, 36 woodcuts and a title page, and 15 engravings. This variation is typical of Passion cycles, because artists frequently added scenes to provide a historical context for the Passion or an epilogue to emphasize its importance.
Eric G. Carlson
Fergusson, George, Signs and Symbols in Christian Art (1959).
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