(CODEX CANTABRIGIENSIS), one of the five most important Greek New Testament manuscripts, and the most interesting of all on account of its peculiar readings; scholars designate it by the letter D (see BIBLICAL CRITICISM, sub-title Textual). It receives its name from Theodore Beza, the friend and successor of Calvin, and from the University of Cambridge, which obtained it as a gift from Beza in 1581 and still possesses it. The text is bilingual, Greek and Latin. The manuscript, written in uncial characters, forms a quarto volume, of excellent vellum, 10 x 8 inches, with one column to a page, the Greek being on the left page (considered the place of honour), the parallel Latin facing it on the right page. It has been reproduced in an excellent photographic facsimile, published (1899) by the University of Cambridge.
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It has commonly been held that the manuscript originated in Southern France around the beginning of the sixth century. No one places it at a later dare, chiefly on the evidence of the handwriting. France was chosen, partly because the manuscript was found there, partly because churches in Lyons and the South were of Greek foundation and for a long time continued the use of Greek in the Liturgy, while Latin was the vernacular- for some such community, at any rate, this bilingual codex was produced- and partly because the text of D bears a remarkable resemblance to the text quoted by St. Irenæus, even, says Nestle, in the matter of clerical mistakes, so that it is possibly derived from his very copy. During the past five years, however, the opinion of the best English textual critics has been veering to Southern Italy as the original home of D. It is pointed out that the manuscript was used by a church practising the Greek Rite, as the liturgical annotations concern the Greek text alone; that these annotations date from the ninth to the eleventh century, exactly the period of the Greek Rite in Southern Italy, while it had died out elsewhere in Latin Christendom, and show that the Byzantine Mass-lections were in use, which cannot have been the case in Southern France. The corrections, too, which concern the Greek text but rarely the Latin, the spelling, and the calendar all point to Southern Italy. These arguments, however, touch only the home of the manuscript, not its birthplace, and manuscripts have travelled from one end of Europe to the other. Ravenna and Sardinia, where Greek and Latin influences also met, have likewise been suggested. It can only be said that the certainty with which till recently it was ascribed to Southern France has been shaken, and the probabilities now favour Southern Italy.
Following Scrivener, scholars universally dated it from the beginning of the sixth century, but there is a tendency now to place it a hundred years earlier.. Scrivener himself admitted that the handwriting was not inconsistent with this early date, and only assigned it a later date by reason of the Latinity of the annotations. But the corrupt Latin is not itself incompatible with an earlier date, while the freedom with which the Latin N.T. text is handled indicates a time when the Old Latin version was still current. It probably belongs to the fifth century. Nothing necessitates a later date.
The type of text found in D is very ancient, yet it has survived in this one Greek manuscript alone, though it is found also in the Old Latin, the Old Syriac, and the Old Armenian versions. It is the so-called Western Text, or one type of the Western Text. All the Fathers before the end of the third century used a similar text and it can be traced back to sub-Apostolic times. Its value is discussed elsewhere. D departs more widely than any other Greek codex from the ordinary text, compared with which as a standard, it is characterized by numerous additions, paraphrastic renderings, inversions, and some omissions. (For collation of text, see Scrivener, Bezae Codex, pp. xlix-lxiii; Nestle, Novi Test. Graeci Supplementum, Gebhardt and Tischendorf ed., Leipzig, 1896.) One interpolation is worth noting here. After Luke, vi, 5, we read :B3On the same day seeing some one working on the Sabbath, He said to him:8CO man, if you know what you do, blessed are you; but if you do not know, you are cursed and a transgressor of the law'." The most important omission, probably, is the second mention of the cup in Luke's account of the Last Supper.
The Latin text is not the Vulgate, nor yet the Old Latin, which it resembles more closely. It seems to be an independent translation of the Greek that faces it, though the fact that it contains two thousand variations from its accompanying Greek text have led some to doubt this. Of this number, however, only seven hundred and sixteen are said to be real variant readings, and some of these are derived from the Vulgate. If the translation be independent, both the Vulgate and Old Latin have influenced it greatly; as time went on, the influence of the Vulgate grew and probably extended even to modifications of the Greek text. Chase, however, traces many of the variants to an original Syriac influence. The text, which was in so great honour in the Early Church, possesses a fascination for certain scholars, who occasionally prefer its readings; but none professes to have really solved the mystery of its origin.
Publication information Written by John Francis Fenlon. Transcribed by Sean Hyland. The Catholic Encyclopedia, Volume IV. Published 1908. New York: Robert Appleton Company. Nihil Obstat. Remy Lafort, Censor. Imprimatur. +John M. Farley, Archbishop of New York
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